![]() That’s why for its 20th anniversary, we got the gang back together to hear all about how this animated series came to fruition. It’s a magical thing, and certainly worth celebrating. ![]() Even now, all Smith has to do is tweet a single phrase, and the show’s legion of fans will reply with their favorite quotes - all from six episodes. But then something funny happened: The show eventually made its way on to DVD, then on to networks such as Adult Swim or Comedy Central, garnering a cult following that continues to thrive 20 years later. It was gone in the blink of an eye, seemingly scrubbed from pop culture, and to no one’s avail. But, by bringing in Seinfeld writer Dave Mandel, longtime producer Scott Mosier, and surrounding himself with some of Disney’s sharpest animators, Smith unlocked the shudders on the Quick Stop, and recalibrated his own source material into an entirely new medium and universe.Īnd so, Clerks: The Animated Series premiered on Wednesday, May 31st, 2000 via ABC, only to be canceled two episodes into its six-episode order. But not just any animated series, one based on the very film that gave Smith the proverbial keys to his kingdom.Įven now, the idea of Clerks: The Animated Series seems like a stretch after all, it’s not like the lewd, black-and-white comedy screams for the animated treatment. ![]() Instead, he turned away from the cameras, ditched the sets, and embraced the ink he grew up on to create an animated series. With Mallrats, Chasing Amy, and Dogma behind him, a pivot into mainstream Hollywood filmmaking was all but a guarantee for Smith. He created his own universe, long before his influences would go on to create theirs, and it spawned both a devoted cult following and a unique brand.īy the turn of the millennium, Smith could do anything. Unlike his peers, though, Smith stuck to his guns, refusing to leave his great state, and spent the rest of the decade carving our parables in the Garden State. With Clerks, Smith joined a cadre of young independent filmmakers in the mid-’90s, who all would help usher in the next era of Hollywood filmmaking. Smith capitalized on that perception with a script that mined the angst and anxiety of his fellow maligned twentysomethings. At the time, Generation X appeared confused and lost to boomers everywhere, who all felt their eldest children lacked the necessary drive to figure out what should come next. Contrary to his on-screen persona, the New Jersey filmmaker was the loudest slacker of the ’90s, and he used that voice to define his generation. Oral History offers the most comprehensive retelling of a pop culture artifact.
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